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The Biggest Tech Fails Of 2019

Data breaches, bad devices, and other tech fails impacted customers in 2019. (Photo Credit: Google Play Store)

The march of progress continues ever onward, but it’s not always smooth. Our tech overlords definitely let their reach exceed their grasp in 2019, as just about every major company had a goof-up or two this year that saw stock prices drop.

Whether it be a result of faulty hardware, clueless business practices, or incompetent leadership, there were plenty of screw-ups to choose from as we compiled this list. These are our completely subjective picks for the worst tech fails of 2019.

AirPower

One of the most infuriating things about being an Apple fan is their continual changing of power inputs over device generations, making cords obsolete for seemingly no reason. However, it looked like the company was working to address this issue with AirPower, a wireless mat that was designed to power Qi-based devices including iPhones, Apple Watches, and AirPods. They advertised it as being able to charge multiple devices at once, let charging devices display the battery level of all items using the AirPower mat, and more, but the company wasn’t able to make their 2018 launch date due to hardware failures. In March, the company announced that they would be suspending the project.

 

Stadia

Photo Credit: Google

Getting into the gaming market seemed like a no-brainer for Google. It’s one of the biggest segments of the computing space, and there’s plenty of cash to be made. But the company’s streaming platform launched with so many perplexing decisions, it’s almost inspirational. With a launch lineup consisting almost entirely of games we’ve been playing for a year, a technical pipeline that required uninterrupted high-speed internet to play anything, and a business model that required you to purchase games anew for the Stadia even if you already owned them – and no guarantee you’ll be able to play them if Google shuts the service down – it all seemed doomed from the start.

Tardigrades on the Moon

Photo Credit: ROYALTYSTOCKPHOTO / Getty Images

We launch all sorts of things into space to study the effects of low gravity and high radiation on them. But when an Israeli lunar lander crash-landed on the moon with a shipment of tardigrades, it might represent the first major interplanetary contamination in human history.

Also known as “water bears,” these microscopic creatures are nature’s most dedicated survivalists, capable of placing themselves into a hibernatory state to live without moisture and even oxygen for incredibly long periods of time. While we commend Israel’s attempt to establish a space program, this was not a terribly auspicious way to put a foot on the moon.

Samsung Galaxy Fold

The phone market gets tighter and more competitive every year, and companies are constantly trying to come up with new gimmicks to tantalize users. Early in the year, it looked like Samsung was going to be first to post with a highly-anticipated advance: a folding screen, flexible enough to bend in half but tough enough to survive daily use.

Then sample models got mailed out to the press, and we weren’t impressed. They broke, the screen lamination came off, and the hinge area was easy to gunk up. Samsung, to their credit, went back to the drawing board to re-engineer the device, but it certainly wasn’t the debut they were hoping for.

Windows Update Nightmares

Photo Credit: David Ramos / Getty Images

The modern model of software as a service mandates constant change to installs. And that introduces lots of variables into the equation. Microsoft had a tremendously difficult year with Windows 10, as seemingly every update the company pushed borked something or other.

In May, updates failed to install if users had any USB devices plugged into their machines, for some reason. Later that same month, another update tinted screens orange until users updated their graphics card drivers. September’s update disabled the Start menu. It was just a never-ending cavalcade of Windows issues.

Boeing’s Autopilot

Most of the failures on this list had pretty minor consequences in the long term. Companies lost money, consumers were upset, the usual. But Boeing’s multiple autopilot failures on their 737 Max jets had very real, very human costs that might just topple one of the biggest aircraft manufacturers in the U.S.

European regulators began flagging problems with the software in July, leading to the grounding of over 380 Max planes delivered to customers. The controversy over the Maneuvering Control Augmentation System routine, which forces planes to nosedive due to a bug, has resulted in the ouster of CEO Dennis Muilenburg and many industry observers are wondering if Boeing will ever recover.

Apple Card

Photo Credit: Apple

Credit is one of the greatest tricks the devil ever played on capitalism, an infuriatingly opaque series of algorithms and numbers that control your whole life. So when Apple, a company that has long played fast and loose with the rules, got into the credit business it wasn’t long before things went extremely haywire.

The sleek, featureless Apple Card looked cool, but there was sexist bias baked right into the business model, with one tech pioneer noting that it issued him a credit line twenty times higher than his wife, even though all of their assets were joint property. It was a harsh reminder that algorithms are made by people and share the biases we bring to the table.

MoviePass

Photo Credit: Google Play Store

One of the most upsetting aspects of the new tech economy is how “disruptive” startups survive with venture capital backing just long enough to eradicate competitors before collapsing and taking a market segment down with them. Uber losing money on every ride is the platonic example, but 2019 saw a very spectacular case with the rise and fall of MoviePass.

To consumers, it was a bargain – see as many films as you want in participating theaters for one monthly subscription price. But the company quickly ran out of cash to support its offerings, leading to it first drastically cutting back on films before folding entirely in September.

Capital One Data Breach

(Photo Credit: Drew Angerer / Getty Images)

Security is a constantly-shifting target for tech companies, and the most desirable targets for hackers are financial institutions. March saw a hacker gain access to credit card applications for a whopping 109 million customers from 2005 to early 2019.

This was a major breach, as names, addresses, bank account, and even Social Security numbers were exposed. The company tracked the breach down to a firewall misconfiguration that allowed hackers to get admin access to bank data stored in Amazon’s cloud services. In July, the FBI arrested Page A. Thompson, claiming that she was the mastermind behind the breach based on intercepted messages.

Huawei’s Global Crisis

The Chinese mobile phone giant ships more hardware than Apple, but their global domination was stymied on a number of fronts as Huawei struggled with privacy issues and bad P.R. all year. The U.S. government has long been concerned that Huawei technology could be used by the Chinese government to spy on citizens, and this spring, the company was placed on the Entity List, restricting American firms from supplying them with parts. Throw in the arrest of a company executive for spying in Poland earlier this year, the extradition struggle of CFO Meng Wanzhou (arrested in Canada at the end of last year on charges of skirting sanctions in Iran) and more, and Huawei is beset from all sides going into 2020.

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Toy Tuesday: The Best Toys Of 2019

It’s been a hell of a year for toy collectors, and we’ve worked to bring you the best and the brightest week after week on Toy Tuesday. In this final installment, we’re looking at the releases from all of our favorite manufacturers around the world and picking eleven toys that stood above the rest. No matter what your fandom, we’ll bet you’ll find something to take home here. And if not, well, 2020 is right around the corner and we’re not slowing down.

Mezco One:12 Collective Blade Figure

Mezco One:12 Collective Blade Figure

Of all the movies coming in the next wave of the Marvel Cinematic Universe, the return of the daywalker Blade is the one I’m most hyped about. It’s easy to forget that before comic book movie were big business, Wesley Snipes made bank with a series of gory, fun action flicks starring Blade. This Mezco figure is ludicrously detailed with some of the most OTT features we’ve seen – the trenchcoat is removable and can be zipped up, and he totes a flabbergasting array of weapons, from stakes sheathed to his leg to a trusty shotgun, sword and more. My dude’s ready to dust some vamps.

Get it ($80) at Amazon.com

King Mickey Nendoroid

King Mickey Nendoroid

The release of a new Kingdom Hearts was just another point of data in an already crowded gaming year, but true heads celebrated the return to the bizarre Disney / Square Enix mash-up universe. The maniacs at Good Smile cranked out hundreds of their poseable, high-quality Nendoroid figures this year, and lots of them were cool, but we had to opt for the King Mickey. Disney’s mascot character comes with his mighty keyblade, two face plates and four interchangeable eye parts for a variety of expressions.

Get it ($42.57) at Amazon.com

NECA Ultimate Deadpool 1/4 Scale Figure

NECA Ultimate Deadpool 1/4 Scale Figure

In general, the larger the action figure the more room designers have for detail and articulation. For decades, collectors have had to be satisfied with 1/6 scale – as seen with the original G.I. Joes – for a big figure. Those stood a foot tall, true, but it took a real maniac to go even bigger. The minds at NECA kicked off their new 1/4 scale figures with Marvel’s merc with a mouth, and this ridiculously complete Deadpool is one of the most impressive action figures of the year. Standing 18 inches tall, Wade Wilson comes with a flabbergasting assortment of accessories and alternate parts, and with over 30 points of movement he can be posed all kinds of ways.

Get it ($131.95) at Amazon.com

McFarlane Toys Doom Slayer

McFarlane Toys Doom Slayer

We’re so happy that the Doom franchise has returned to the grisly, fast-paced action that it pioneered in the first-person shooter space. When all is said and done, we’ll put the Doomguy up as one of the iconic pop culture figures of a generation. This McFarlane take on the iconic space marine stands 7 inches tall, comes with a Doom logo base, super shotgun, and arm blade for those close-up melee kills that feel so good. 22 points of articulation let you pose him in all kinds of demon-slaying situations.

Get it ($20) at Amazon.com

Figma Joker Action Figure

Figma Joker Action Figure

With Persona 5: Royal coming out next year and Joker surfacing as a top-tier fighter in Smash, 2019 was a super good year for fans of Atlus’s demon-catching, teen-befriending franchise. Good Smile’s Figma line is popular around here for the quality and poseability of their figures, and their take on the delinquent protagonist of the most recent installment is just as slick as you’d expect. Multiple faceplates let you express a variety of emotions, and you can Hold Up your foes with his pistol and dagger. Joker even comes with a Morgana figure to guide him through Mementos.

Get it ($100) at Amazon.com

Sega Genesis Mini

Mini-consoles have been a thing for the past few years, but nobody really got it right until the Genesis Mini. Nintendo’s wee NES had a puzzling and limited collection of games, and Sony’s PS1 Mini omitted most of that system’s best for some hinky also-rans. The Genesis Mini, though, hits on all fronts. Not only does it boast pretty much every essential game for the 16-bit console – over 40 in total – but also cult hits that still hold up today. It’s a great retro gaming bargain that deserves a place in your setup.

Get it ($57) at Amazon.com

LEGO Ultimate Star Destroyer

LEGO Ultimate Star Destroyer

The Star Wars license has been very good for LEGO, not only making them a ton of money but also pushing their engineers to design some of the most ambitious kits in the company’s history. Clocking in at a staggering 4784 pieces, the biggest and baddest Star Destroyer they’ve ever made is a detailed and complex replica with lots of features. When fully assembled, it measures over three feet long and two feet wide, comes with a display stand and a tiny Tantive IV shuttlecraft for scale.

Get it ($1,028) at Amazon.com

Sphero Specdrums

Sphero Specdrums

There are more ways to make cool music now than ever before, and if you’re interested in chopping beats and making loops but don’t know where to start, this irresistible gadget from the minds at Sphero is a must-try. The Specdrum system revolves around a little white ring that you tap down on a colored surface to trigger a sound. Paired with an accompanying app, they let you dive into the spectrum of color and synesthetically transfigure it to music. It’s a wildly creative and tactile way to make cool sounds perfect for absolute beginners or seasoned experts.

Get it ($65) at Amazon.com

MAFEX John Wick Action Figure

MAFEX John Wick Action Figure

2020’s looking to be the Year of Keanu, as the laconic actor will feature in a new Matrix movie, a Bill and Ted sequel, and even the long-awaited Cyberpunk 2077 game. The franchise that brought our man back to the top of the charts, though, is John Wick, where he plays the titular dog-loving murder dude on a path of bloody vengeance. There won’t be a new Wick until 2021, but Medicom’s MAFEX line kicked out a seriously dope figure to hold you over.

Get it ($130) at Amazon.com

Wingspan

Wingspan

It was a pretty solid year for board games, with lots of interesting experiences for multiple players. But the game that dazzled us the most came seemingly from out of nowhere. Designed by Elizabeth Hargrave and published by Stonemaier Games, it’s a gorgeously produced engine-building game that boasts a ton of strategic depth while staying away from the normal themes. In Wingspan, bird enthusiasts build habitats to attract varying species, each of which has different advantages and disadvantages. It’s a crisp, clear, and streamlined game that’s a blast to play.

Get it ($120) at Amazon.com

NERF Ultra One Blaster

NERF Ultra One Blaster

You wouldn’t think that there would be any more technological advancement to find in the world of foam dart guns, but NERF is constantly pushing the envelope. 2019’s release of the Ultra One Blaster saw the company create a motorized dart gun that lofts projectiles farther than any other gun of its type – a massive 120 feet. They use a new type of dart that Hasbro has patented to crack down on bootleggers, so make sure to collect your ammo after the war is over. The dart drum for this baby holds up to 25 shots, so you’ll be able to lay down fire for a while before reloading.

Get it ($50) at Amazon.com



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When Greta Met David: Thunberg, Attenborough Talk Climate Crisis

Greta Thunberg and David Attenborough (via BBC Radio 4)

Greta Thunberg has had one hell of a year.

From Nobel Peace Prize nominee to Time Magazine’s Person of the Year 2019, the Swedish schoolgirl has inspired an international movement to fight climate change.

And she just met Sir David Attenborough.

The broadcaster and naturalist (and British national treasure) has brought the outside world into homes for nearly seven decades. He is perhaps best known for writing and presenting the nine-part Life documentary series.

Together, 16-year-old Thunberg and 93-year-young Attenborough—a sort of Harold and Maude-esque pair—embody the intergenerational fight to save our planet.

During a Skype video chat for Monday’s Today program on the BBC (which Thunberg guest edited), they sat down in their respective home countries to discuss the climate crisis and share thoughts on how to make a positive impact.

“I don’t think I should advise her,” Attenborough said, adding that the Swedish schoolgirl has “achieved things that many of us who’ve been working on it for 20-odd years have failed to.”

Young and humble, Thunberg insisted the credit be shared.

“I think everyone is grateful to you for taking on” the environmental crisis,” she told him. “I hope you understand how much difference you have made and that we are all very thankful for that.”

The compliment battle continued, with accolades being lobbed back and forth faster than a Venus-versus-Serena match.

“What she has already achieved is astonishing. And admirable,” Attenborough said—both to Greta and the listening audience. “It brought the world to its senses.

“We don’t want to spend our time marching through the streets, but we have to,” he continued. “And you’ve shown very great bravery in doing that. And people of my generation should be very grateful to you. Because you certainly aren’t grateful to us for the mess we’ve left you.”

The subject of her own documentary, set to premiere on Hulu next year, Greta went from plaited protester to ponytailed phenom in just one year, inspiring students (and adults) across the world to combat climate change and build a better future.

“I don’t know why people are listening to me. I don’t know how long it will last,” she admitted to David Attenborough. |I just know that right now people are listening to me and I need to use that opportunity and try to get out as much as I can during that time.”

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Sharon Stone’s Bumble Dating Account Reinstated After Confusion

Sharon Stone (via Getty Images)

Celebrities, they’re just like us: Golden Globe winner Sharon Stone was blocked on dating app Bumble because users thought she was a fake.

The actress, known for leading-lady roles in Basic Instinct and Casino, tweeted on Monday that her account was temporarily closed.

“Some users reported that it couldn’t possibly be me,” Stone said. “Hey [Bumble], is being me exclusionary? Don’t shut me out of the hive.”

She followed up with a screenshot of the in-app notification.

Bumble was quick to respond: First via editorial director Clare O’Connor, who promised “this won’t happen again,” and later from the official company account.

Online dating once held such a stigma that only your therapist and closet, least judgemental friends knew about your digital escapades. But over the years, as more matches were made, the shame of meeting your significant other on the Internet has faded.

According to Statista, nearly half of online users in the US have met, or know someone who has met, a romantic partner through a dating site or app as of January 2019.

But Internet dating rarely turns out to be a You’ve Got Mail meet-cute, with flowers, witty banter, and Central Park sunshine.

In fact, the Federal Trade Commission earlier this year revealed that lovey-dovey shakedowns account for more monetary losses ($143 million) than any other consumer fraud type.

That and seven seasons of Catfish: The TV Show prove people across the country (and the world) can be easily lured into a trap. So Bumble users are justified in their distrust of “Sharon Stone”‘s presence on the app.

A Bumble representative confirmed to CNET that Stone’s profile is back in action.

“Our apologies for the confusion as we’re so honored that Ms. Stone wants to be a part of the Hive,” the social network said. “However, being the icon that she is, we can understand how so many of our users felt it was too good to be true once they noticed her profile wasn’t photo verified.”

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Netflix Wins Its Own 2019 Popularity Contest

'Stranger Things' season three is one of Netflix's most popular releases of 2019 (via Netflix)

Netflix, like the rest of the digital world, is ringing in the new year with a look back at the previous one.

The streaming service this week revealed the most popular releases of 2019, and—spoiler alert—they’re almost all made by Netflix.

“Happy almost 2020,” the company tweeted on Monday, kicking off the shameless self-promotion of its original content.

Look no further than the top 10 “most popular” new releases from 2019—all of which are Netflix originals, with the sole exception of The Incredibles 2 from Disney’s Pixar.

The same goes for TV series, movies, documentaries, reality shows, comedy specials, family content, and international releases: Between eight Top-10 lists (with 80 total entries), only four items (depending on how you count them) are not branded by Netflix.

The Internet calls BS.

And rightfully so.

In teeny text at the bottom of each tweeted graphic, Netflix admits its lists are ranked based on accounts that “choose to watch two minutes or more of a title during its first 26 days.”

That’s well under the firm’s usual 70-percent-of-the-full-runtime metric. And it discounts late bloomers that picked up steam over the course of the year.

Perhaps most perplexing, though, is the fact that Netflix is counting viewing that hasn’t happened yet.

Fantasy series The Witcher, season two of twisted thriller You, and controversial documentary Don’t F**k With Cats have all hit the streaming site within the past two weeks.

Kevin Hart’s new stand-up special, meanwhile, was available for only four days before coming in at No. 2 on Netflix’s year-end comedy list.

The company defended its dodgy practices, telling CNET that the criteria don’t favor Netflix Originals because all titles—original or licensed—were measured the same way.

“Hope this was interesting, and helped you find something new to watch,” Netflix tweeted on Monday, encouraging customers to hunker down with streaming movies and TV shows during the last days of the decade.

10 Most Popular Series on Netflix in 2019:

Stranger Things 3

The Witcher

The Umbrella Academy

Dead to Me

You: S2

When They See Us

Unbelievable

Sex Education

13 Reasons Why: S3

Raising Dion

(Um… Where’s Russian Doll)

10 Most Popular Movies on Netflix in 2019:

Murder Mystery

6 Underground

The Incredibles 2

The Irishman

Triple Frontier

Extremely Wicked, Shockingly Evil and Vile

The Highwaymen

Spider-Man: Into the Spider-Verse

Ralph Breaks the Internet: Wreck-It Ralph 2

Secret Obsession

10 Most Popular Documentaries on Netflix in 2019:

Conversations with a Killer: The Ted Bundy Tapes

Our Planet

FYRE: The Greatest Party That Never Happened

HOMECOMING: A film by Beyoncé

Don’t F**k with Cats: Hunting an Internet Killer

Abducted in Plain Sight (released by Netflix, not branded as Netflix Original)

The Disappearance of Madeleine McCann

The Family

Street Food

Kevin Hart: Don’t F**k This Up

10 Most Popular Nonfiction Series (i.e. reality TV) on Netflix in 2019:

Tidying Up With Marie Kondo

Jailbirds

Rhythm + Flow

You vs. Wild

Nailed It!: S3

Comedians in Cars Getting Coffee: New 2019: Freshly Brewed

Awake: The Million Dollar Game

Sugar Rush Christmas

Prank Encounters

Sugar Rush: S2

10 Most Popular Comedy Specials on Netflix in 2019

Dave Chappelle: Sticks and Stones

Kevin Hart: Irresponsible

Gabriel ‘Fluffy’ Iglesias: One Show Fits All

Ken Jeong: You Complete Me, Ho

Amy Schumer: Growing

Bill Burr: Paper Tiger

Aziz Ansari: Right Now

Jeff Dunham: Beside Himself

Wanda Sykes: Not Normal

Mike Epps: Only One Mike

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Kennedy Assassination Bullets Digitized For Public Viewing

One of those fragments from the bullet that fatally wounded JFK is illuminated beneath the microscope's lens as it is scanned (via T.B. Renegar/NIST)

Conspiracy theorists, rejoice: You’ll soon not have to leave your underground bunker to view the bullets that killed John F. Kennedy in 1963.

Fragments from the slugs used in the presidential assassination have been digitized for the web.

Usually preserved in a controlled vault at the National Archives and Records Administration in Washington, D.C., the artifacts were transported to the National Institute of Standards and Technology (NIST) for careful scanning.

The NIST team, including physical scientist Thomas Brian Renegar, produced digital replicas—true down to the microscopic details.

“It’s like they’re right there in front of you,” according to Renegar, who was not yet born when Kennedy died.

The National Archives plans to make the data available via its online catalog in “early 2020.”

The bullet that struck President John F. Kennedy and Texas Gov. John Connally, carefully preserved inside its glass vial prior to scanning (via J. Stoughton/NIST)

It’s been more than five decades since the young Commander in Chief was gunned down. Yet the nation still carries a morbid torch for the historic murder.

The National Archives regularly receives requests for access to the stored bullets—most (if not all) of which it denies. This project, however, will allow the agency to release 3D replicas to the public while keeping the originals safely preserved in their temperature and humidity-controlled vault.

“The virtual artifacts are as close as possible to the real things,” Martha Murphy, deputy director of government information services at the National Archives, said in a statement.

“In some respects,” she continued, “they are better than the originals in that you can zoom in to see microscopic details.”

The bullet is removed from the microscope and repositioned so it can be scanned at a new angle (via J. Stoughton/NIST)

As if two copper-and-lead fragments from the bullet that fatally wounded the president weren’t enough, the new collection includes the so-called “stretcher bullet,” which struck Kennedy and Texas Gov. John Connally and was found lying near the latter at the hospital.

You’ll also find models of two shots produced by test firing the assassin’s rifle, as well as a bullet recovered from an earlier, failed attempt on Army Maj. Gen. Edwin Walker’s life, thought to involve the same firearm.

The NIST ballistics team used the focus variation microscopy technique to image each artifact, charting the objects’ surface features and building a 3D map of their microscopic landscapes—like a satellite mapping a mountain range.

“It was like solving a super complicated 3D puzzle,” Renegar explained of the process, which required countless hours of rotating metal fragments beneath a lens, then stitching image segments together.

“I’ve stared at them so much I can draw them from memory,” he said.

A bright light evenly illuminates the bullet while the microscope captures a series of images (via J. Stoughton/NIST)

Zoom in to see the rifling grooves left by the barrel of the gun; move closer to see ridges and scratches too fine to feel with your fingertip.

Although an unusual project for NIST, the methods used to image these artifacts can prove useful in criminal cases involving what forensic firearms expert Robert Thompson described as “similarly challenging evidence.”

The scientists did not conduct any forensic analysis of the Kennedy assassination bullets; this exercise was strictly for historic preservation.

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‘Star Wars: The Rise of Skywalker’ Falls 59% in Second Weekend

Dark Rey in 'Star Wars: The Rise of Skywalker.' (Photo Credit: Lucasfilm Ltd.)

Star Wars: The Rise of Skywalker’s domestic earnings are down over $100 million as it exits its second weekend at the box office, from $177.38 million on release to $72 million now.

Over its first 10 days, that gives it a $361.8 million total, slightly under Star Wars: The Last Jedi’s $368 million ten-day-cume. That movie infamously also took a massive dip between weekends, from a $220 million opening weekend to a $71 million second weekend.

Worldwide, the film is recouping its $275 million budget with a $724.8 million international release. However, the domestic drop is enough to make it the 13th member of the “$100 million losers club,” alongside Star Wars: The Last Jedi, The Lion King, and all four Avengers films.

While such a loss might point to tepid fan reaction, it’s also worth noting just how many MCU movies are in this club alongside Star Wars: The Rise of Skywalker. Though my Avengers: Endgame showing hooped and hollered while my Star Wars: The Rise of Skywalker showing was dead silent, both films are conclusion stories in lore-heavy franchises.

Desire to see the ending as soon as possible, both to avoid spoilers and to take part in the social media conversation, could easily frontload audience turnout. Avengers: Endgame, for example, opened at $357 million and dropped to $147 million in its second weekend. While dealing with larger overall numbers than Episode IX, its $210 million loss between weekends is twice as large as Star Wars: The Rise of Skywalker’s $105 million, despite a generally more favorable response.

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Still, the more recent Star Wars films are no strangers to box office disappointment. Solo: A Star Wars Story famously released to such an underwhelming response in 2018 that Disney put all future Star Wars spin-off films on hold until further notice. Similarly, while Star Wars: The Last Jedi has its fans (raises hand), it divisive nature since its release has become borderline political. And finally, Star Wars: The Rise of Skywalker’s Metacritic score for critics is currently sitting at 54, slightly over Star Wars: Episode 1 – The Phantom Menace’s 51, with users actually ranking Episode I over Episode IX.

Although critical response does not necessarily guarantee box office failure, the unfortunate side effect of a stunted ending is its ability to throw everything that came before it into question. As a Last Jedi apologist, The Rise of Skywalker’s willingness to walk back what made that film interesting to me, as well as its done-better-before original plot elements, has me wondering what the point of the sequel trilogy is, and how much room for new stories this galaxy has left.

Regardless, the Star Wars films until now have been an overall boon for Disney. The house of mouse purchased Lucasfilm in 2012 for $4.05 billion, with the total gross for the four Star Wars films released before Star Wars: The Rise of Skywalker hitting $4.8 billion. Adding this most recent film to those earnings yields over $5.5 billion off movie tickets alone. So, even as the franchise’s films drop from weekend-to-weekend, Disney is already guaranteed profit. As senior comScore media analyst Paul Dergarabedian told CNBC, “This was one of the smartest acquisitions in history.”

However, for Star Wars fans, that “was” raises doubts. While Disney up to this point has been forced to release new Star Wars films to justify its Lucasfilm purchase, that motivation no longer applies. And as we saw with the response to Solo: A Star Wars Story, the studio has no qualms about canceling future projects in response to underperforming movies.

As audiences debate with themselves whether they still want to hear more from the galaxy far, far away, Disney is listening. And it is now free to respond however it wishes.

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The Best Movies of the Decade

'Iron Man 3,' 'Warrior,' and other films that audiences loved in the 2010s. (Photo Credit: Zade Rosenthal / Marvel)

There is no such thing as a correct Best Of List. Oftentimes we strive for that nonexistent perfection when writing them, attempting to create the version of that list that will speak to a collective sentiment, the version most agreeable to those familiar with the subject.

While appealing to as wide a readership as possible with these lists is entirely understandable, collections like these – especially those regarding art – tend to skew towards homogeneity. It’s not that they’re insincere – you’d be hard-pressed to find a critic who doesn’t genuinely believe that Parasite is one of the best movies of 2019 (it is). But the effort to create year-end lists that appeal to a wide variety of, let’s say, moviegoers, tends to assume a universal experience with moviegoing. And, when these lists are covering an entire decade, the pressure doubles down as the writer attempts to create something that speaks to a span of time that defines generations.

This is not going to be one of those lists. The 2010s were, for me, the first decade during which I was fully a follower of film from beginning to end. I came of age as a movie fan in the 00s, but not soon enough to fully appreciate what that decade in film had to offer before 2006 or so. But I’ve been going to the movies, thinking about movies, and became a person who professionally has opinions about movies during the 2010s.

What I have to offer here is by no means definitive. Art is subjective by nature and while there are a couple of entries on this list that are mainstays on Best of the 2010s lists across the internet, I’d rather offer something more reflective of my experiences at the movies in the 2010s than rehash the same list you can find on a dozen other websites. Some of these picks are personal while others I see as being vital to or reflective of the path that cinema took over the last ten years. All are movies I genuinely love and find myself revisiting often.

With that in mind, it’s also pertinent to note that these are presented in no particular order, save for the final entry which is my favorite movie of the decade.

The Social Network (2010)

The 2010s opened with an omen in the form of David Fincher and Aaron Sorkin’s masterful take on the origins of Facebook. While the obvious point to make is the extent to which the rot at the core of Facebook’s genesis soon became external, manifesting itself in the form of a litany of scandals that went on to define our relationship with the internet and permanently poison social media beyond repair, the film also ushered in a decade of “nerds” being the dominant force behind commerce, pop culture, and cultural discourse at large, the results of which are hard to be optimistic about. We can’t say The Social Network didn’t warn us.

Creed (2015)

It merits a spot on the list due to being the most rewatchable movie of the decade alone, but Ryan Coogler’s Rocky sequel/revamp is also the rare IP success story of its time. In an era largely defined by rebooting IP a la Bad Boys, Ghostbusters, and Men in Black (just to name a few), these films rarely actually work artistically or financially. Making yet another sequel to Rocky, a franchise whose legacy is already tarnished by the diminishing returns brought on by its sequels, should not have worked.

But by letting a young auteur take free reign over the story, Creed breathed fresh life into a dormant franchise while never paying any mind to setting up sequels or spinoffs. Instead, it focuses on an intimate character study that pays off in dividends during its chill-inducing final training montage. Film is at its best when it makes us feel alive, and if you don’t feel alive when watching Adonis Creed, surrounded by dirtbikes and ATVs, furiously sprint through the streets of Philly, you’d best check your pulse.

The Nice Guys (2016)

Note for note the single funniest movie of the decade but also a poignant meditation on friendship, isolation, and depression. Ryan Gosling attempting to hold open the door to a bathroom stall while also keeping a gun trained on Russell Crowe is elite physical comedy. Career-best work on all fronts and will have you seriously considering whether or not you can pull off a mustache and/or sideburns.

Iron Man 3 (2013)

Why not just talk about the two Shane Black movies on the list back to back? The Marvel Cinematic (Scorsese might beg to differ) Universe is undeniably the defining event of film in the 2010s. No movies made more money or buzz over the last ten years and the state of the industry today is a direct result of this franchise.

However, installments in this franchise have gradually become more and more homogenized over the years and it’s increasingly rare to see a director impose a strong visual, narrative, or thematic style on the film they helm. The Black Panthers and Guardians of the Galaxy Vol 2.s of this world are becoming increasingly rare.

That’s why Iron Man 3 remains so special in a post-Endgame world. Upon its original release, it felt like the first film in the then-young MCU to retain the vision of its auteur. From its Christmastime setting to its explicitly political narrative about a war profiteer who weaponizes mass media in order to create a fake terrorist to take responsibility for accidents caused by his technology, every minute of the film feels like a Shane Black movie. Years after its original release you can’t help but feel that Black is getting away with something while watching it. If superhero movies are to continue to thrive creatively in the 2020s, more Iron Man 3s will be necessary.

Fast Five The Raid: Redemption John Wick: Chapter 2

These films tell the story of action cinema in the 2010s and as such, it feels wrong to exclude any of the three or put them on the list separately. They are, in their way, pieces of a whole. Fast Five not only revived the Fast & Furious franchise, but established it as the dominant action movie franchise of the 2010s. It created The Rock as we know him today and remains the best American action movie of the decade – which is not to say that it’s necessarily better than The Raid: Redemption or John Wick: Chapter 2 so much as it perfectly encapsulates what an American action movie is.

The Raid: Redemption changed modern perceptions of what an action movie can be, not so much in the realm of narrative (there’s hardly one at all) or special effects as the perception of what filmed action can look like. The team of otherworldly martial arts talents behind the movie created visceral, painful murder ballet and Hollywood has been trying to catch up ever since.

While Fast & Furious remains the dominant box office force, the John Wick films seem to represent the artistic apex of action in the decade. What started out a seemingly-simple revenge movie about an ex-hitman taking out the men who stole his car and killed his dog has become a complex series about the way that living in a society built on a system of capitalism slowly takes its toll, trapping people in webs of debt until escape is an impossibility.

It’s a real toss-up between all three installments for the title of the best of the franchise but Chapter Two remains notable not only for the extent to which the craft behind the camera elevates from the first installment, but for being one of the great sequels of all time. It does everything sequels are supposed to do – expand the world, continue the story in a satisfying fashion, up the stakes, etc. – perfectly and ends with the best movie cliffhanger of the decade.

When the heroes of the MCU faded away in Avengers: Infinity War, we knew they’d be back. It was simply a question of how. But the sight of John Wick, freshly dubbed excommunicado and with a multi-million dollar hit on his head, running through Central Park into a world that no longer contains safe haven left audience members completely unsure of what the future had in store for the Baba Yaga.

Mad Max: Fury Road (2015)

To paraphrase a great quote, writing about Mad Max: Fury Road is like dancing about architecture. The film is a shot of adrenaline lit aflame and injected directly into the jugular committed to celluloid and projected onto a screen. There is nothing like this movie and there never will be again. You cannot trap the divine in a paragraph. You can only experience it for yourself, and if you’ve managed to go four years without seeing George Miller’s masterpiece for yourself, close your browser and remedy that immediately.

Star Wars Episode VIII: The Last Jedi (2017)

For a certain kind of person, there are nights you spend in empty diners or crowded restaurants or the diviest of bars with your friends talking about movies and music and your shared passions, and on those nights after a few stiff drinks, beers, or maybe cups of coffee, you may find yourself asking or being asked what you would do if you were handed the keys to a story you love and permitted to do whatever you want with those characters and that world.

Watching Star Wars Episode VIII: The Last Jedi feels like having that conversation with Rian Johnson. It, even more so than Iron Man 3, feels like a filmmaker getting away with something they shouldn’t. It feels like Johnson injected everything he has to say not only about Star Wars, but about life, death, failure, passion, love, and hope into a single film. It is a breathless masterpiece, the sendoff Carrie Fisher deserves, the career high for most everyone involved, and will outlive anyone who spent the last two years harassing Kelly Marie Tran on Instagram.

Whiplash (2014)

The greatest acting showcase of the decade and the film that allowed J.K. Simmons, truly one of the great screen talents of the 21st century, to secure a long-deserved Oscar. It is an excruciating film for anyone who has been pushed by a professor, peer, or mentor, and captures the agony and the ecstasy of artistry in a fashion that will leave even those who have never touched a drumstick with spiked blood pressure.

Hell or High Water (2015)

The 2010s saw the dawn of the Chris Wars as Chris Evans, Chris Pine, Chris Hemsworth, and Chris Pratt broke out as the four can’t-miss leading men of the decade. We can argue for days over who has the nicest hair, or most shredded abs, or even who’s been in better movies but over the last ten years, none of them have pushed themselves or allowed their career to go down as many delightfully odd turns and tangents as Pine.

His coup de gras play at the title of Uber-Chris came in 2015’s Hell or High Water, a modern anti-capitalist Western about bank robbers, and Comanches, and oil, and health insurance. While Ben Foster steals the show as his certifiably nutzo brother and Jeff Bridges does his Jeff Bridges thing as well as ever, it’s Pine who anchors the movie in a conflicted and empathetic performance that cements his victory in the Great Chris Wars of the 2010s. May 2020 bring even more delightfully off-kilter career choices for the man.

Warrior (2011)

We all respond to art subjectively and, from my humble and extremely subjective point of view, Gavin O’Connor’s 2011 drama about two estranged brothers who find themselves facing off in a mixed martial arts (MMA) tournament transcends its potentially bro-y trappings and becomes something that hit me like a punch to the gut when I first saw it.

Its placement early on in the decade means I’ve had time to sit with it and revisit it frequently as I’ve grown and as the world around me has shifted. It’s impossible to describe Warrior without delving into the personal so I will leave it at this: my family today is not what it was nearly ten years ago and as it has gone through its ups and downs, this story about estranged siblings and a distant father looking to make right has never failed to make me bawl my eyes out as its final scene plays out. Something this intimate, this recognizably human is a rare thing.

Its leads (Tom Hardy, Joel Edgerton, and Nick Nolte) are not performing so much as creating something authentic in every shot, with Hardy, in particular, doing the best work of his career. The fights are brutal, but none so much as the smaller moments, the confrontations, and quiet sobs, and hesitant phone calls.

Warrior is a movie about broken people looking to the people who broke them for answers and apologies, often not considering the ones that they owe. It won’t be at the top of any other best of the decade list. But it is at the top of mine as it is the movie through which I have felt the most seen and the most understood over the last ten years.

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These Were Barack Obama’s Favorite Books, Movies of 2019

Barack Obama shops for books in Washington, D.C (via Pete Souza/The White House)

The nation’s dad, Barack Obama over the weekend revealed his favorite books, films, and TV shows of 2019.

What began as a White House ritual in 2015 has continued post-presidency, offering the country (and the world) insight into the former Commander in Chief’s cultural life.

“This has become a fun little tradition for me, and I hope it is for you, too,” Obama wrote in an Instagram caption.

This year’s books—a list of 19 fiction and non-fiction titles—range from subjects of the East India Company and Native America to feminism and football.

Among his favorites are “Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee” by Casey Cep; Booker Prize 2019 winner “Girl, Woman, Other” by Bernardine Evaristo; “Normal People” by Sally Rooney; “The Yellow House” by Sarah M. Broom; “Solitary” by Albert Woodfox; “We Live in Water: Stories” by Jess Walter; and “A Different Way to Win: Dan Rooney’s Story from the Super Bowl to the Rooney Rule” by Jim Rooney.

(I straight up giggled with joy when I realised Barack Obama and I read the same book this year: Irish phenom Sally Rooney’s second novel, “Normal People,” about young love.)

Obama also included 19 more books he recommended earlier this year.

His top 18 movies of 2019 is slightly more relatable, with wide releases like Booksmart, Ford v Ferrari, and Little Women, as well as Netflix hits The Irishman and Marriage Story.

“Of course, there’s also American Factory, a film from our own production company, Higher Ground, that was recently shortlisted for an Oscar,” Obama boasted.

I very highly recommend Fleabag and Unbelievable—two of his “TV shows that I considered as powerful as movies.”

How the man manages his regular personal and civil commitments—not to mention producing for films, television shows, and podcasts—and finds enough time to read a 691-page essay on the East India Company and watch Martin Scorsese’s three-and-a-half-hour-long love letter to the mob is beyond me.

“Because while each of us has plenty that keeps us busy—work and family life, social and volunteer commitments—outlets like literature and art can enhance our day-to-day experiences,” Obama said.

“They’re the fabric that helps make up a life,” he continued. “The album that lifts us up after a long day, the dog-eared paperback we grab off the shelf to give to a friend, the movie that makes us think and feel in a new way, works that simply help us escape for a bit.”

We’re still waiting to see what tops the former President’s list of the best music from 2019. Keep an eye on his social media for the big reveal.

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Scientists Who Genetically Altered Babies Receive Prison Sentence

(Photo Credit: The He Lab/YouTube)

The scientist who claims his lab made the world’s first genetically edited babies has been sentenced to three years in prison.

One of a trio of defendants charged with illegal medical practice, ringleader He Jiankui received the most serious punishment: three years behind bars and a 3 million yuan ($429,000) fine.

He made headlines last year when his lab allegedly used CRISPR technology to alter the DNA of sisters Lulu and Nana*, born in November 2018 to Grace and Mark.

Grace began her pregnancy via in vitro fertilization (IVF)—with a twist: After inseminating her eggs, an embryologist sent in “a little bit of protein,” plus instructions for a gene surgery to disable the CCR5 gene, through which the human immunodeficiency virus (HIV) enters.

The news set the scientific community alight; an angry mob of researchers carried proverbial pitchforks and torches, calling He’s conduct unethical.

Not since the first test-tube baby, Louise Brown, was born in 1978 has so much fuss been made about assisted reproductive technology.

Branded by some as “China’s Frankenstein,” He reportedly revised embryos for seven couples during fertility treatments. Only one pregnancy has so far been confirmed successful, though there were rumors of a second.

“The court held that the three defendants failed to obtain a doctor’s qualification and pursued for profit, deliberately violated the relevant national regulations on scientific research and medical management, crossed the scientific and medical ethics bottom line, and rashly applied gene editing technology to human-assisted reproductive medicine, disrupting medical treatment,” according to a translated article from the Xinhua News Agency.

That’s a lot of strikes.

Collaborators Zhang Renli and Qin Jinzhou, who managed to stay out of the media spotlight since the project purportedly began in June 2016, have also been incarcerated: for one year (plus 1 million yuan [$143,000] fine) and 18 months (plus 500,000 yuan [$72,000] fine and two-year suspension), respectively.

All three scientists have been blacklisted for life by the Department of Health of Guangdong Province from working with human genetic technology.

* Names of the twins and their parents have been changed by the He Lab for privacy reasons.

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‘Swamp Gas’ Phosphine Could Be Sign of Extraterrestrial Life

Clara Sousa-Silva looks for biosignatures that might prove beacons of extraterrestrial life (via Melanie Gonick/MIT)

One planet’s toxic gas is another’s life-sustaining biomarker.

Phosphine—a molecule known for its putrid, toxic nature on Earth—may be a sign of extraterrestrial life on distant worlds.

Produced only by oxygen-averse anaerobic organisms, the compound serves as a sign of life—”at least of a certain kind,” according to the Massachusetts Institute of Technology.

In a paper published by the journal Astrobiology, MIT researchers suggest that if phosphine were produced in abundant quantities (similar to methane on Earth), it would generate a signature pattern of light in a planet’s atmosphere.

The display, they claim, would be clear enough to spot from as far as 16 light years away—assuming you’re using a powerful tool like the planned James Webb Space Telescope.

“Here on Earth, oxygen is a really impressive sign of life,” lead author and research scientist Clara Sousa-Silva explained. “But other things besides life make oxygen, too.

“It’s important to consider stranger molecules that might not be made as often, but if you do find them on another planet, there’s only one explanation,” she added.

If phosphine is detected from a rocky planet, the team said, it would be an “unmistakable” sign of extraterrestrial life.

Sousa-Silva & Co. have amassed more than 16,000 candidates for potential biosignatures, the majority of which have not been fully characterized, and would offer little insight to scientists who spot them in an exoplanet’s atmosphere.

Researchers can now be confident, though, in the interpretation of at least one molecule: phosphine.

Discovered in the 1970s amidst the atmospheres of hot gas giants Jupiter and Saturn, the compound was likely “violently dredged up by huge, planet-sized convection storms,” as Sousa-Silva describes it.

Still, nearly five decades later, little is known about phosphine.

Aside from the fact that it exists in the absence of oxygen: swamps, marshlands, lake sediments, “and the farts and intestines of everything,” the study author said.

“Suddenly this all made sense,” she continued. “It’s a really toxic molecule for anything that likes oxygen. But for life that doesn’t like oxygen, it seems to be a very useful molecule.”

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